What I do in my films is very … oh, I think very distinctively … I think they are the films of a woman, and I think that their characteristic time quality is the time quality of a woman. I think that the strength of men is their great sense of immediacy. They are a now creature and a woman has strength to wait because she’s had to wait. She has to wait nine months for the concept of a child. Time is built into her body in the sense of becomingness. And she sees everything in terms of it being in the stage of becoming. She raises a child knowing not what it is at any moment but seeing always the person that it will become. Her whole life from her very beginning — it’s built into her — a sense of becoming. Now, in any time form, this is a very important sense. I think that my films, putting as much stress as they do upon the constant metamorphosis — one image is always becoming another. That is, it is what is happening that is important in my films, not what is at any moment. This is a woman’s time sense and I think it happens more in my films than in almost anyone else’s.
— Maya Deren